9/25/2023 0 Comments Claudia mori 1960![]() If you have specific questions or information about content, the website, and applications, please contact us. However, Get Archive LLC does not own each component of the compilation displayed and accessible on the PICRYL website and applications. Get Archive LLC is the owner of the compilation of content that is posted on the PICRYL website and applications, which consists of text, images, audio, video, databases, tags, design, codes, and software ("Content"). Get Archive LLC does not charge permission and license fees for use of any of the content on PICRYL, however, upon request, GetArchive can provide rights clearance for content for a fee. GetArchive believes there are no usage restrictions or limitations put on content in the U.S. Permission for use, re-use, or additional use of the content is not required. Get Archive LLC, creator of PICRYL, endeavors to provide information that it possesses on the copyright status of the content and to identify any other terms and conditions that may apply to the use of the content, however, Get Archive LLC offers no guarantee or assurance that all pertinent information is provided, or that the information is correct in each circumstance. PICRYL makes the world's public domain media fun to find and easy to use. PICRYL is an AI-driven search & similarity engine. ![]() PICRYL is the largest media source for public domain images, scans, and documents. Rugantino, who is unjustly blamed for the crime, chooses to climb onto the gallows as a demonstration of his love for Rosina and to prove he is a real man, and in so doing gains universal respect.The World's Largest Public Domain Media Search Engine He secretly returns to the city, but is killed before he manages to exact his revenge. However, it doesn’t take long for the exiled man to be blinded by a jealous rage. He manages to win her over by taking advantage of the fact that Gnocco is sent into exile. In 19 th century Papal Rome, Rugantino is desperately in love with Rosina, who is married to Gnocco. Around him, the assorted cast brings its fair share of treats to the party (and to the tragic ending that always feels somewhat strange): Claudia Mori, Paolo Stoppa, Alvaro Vitali, Pippo Franco… The public responds with great enthusiasm, perhaps also because in casting Celentano the character of Rugantino takes on a more universal connotation. Nonetheless, he superbly manages to overcome this obstacle: Celentano goes wild, chatting a lot and moving nervously, unveiling the stunning naturalness of his singing and dancing, giving life to a very lively and entertaining film. There is, however, one problem: Celentano has many virtues, but he definitely isn’t a born and bred Roman. ![]() For his lead man he chooses Adriano Celentano, who has by now decided to fully launch himself into his cinematic career, for a role characterised by boastfulness and charisma. One of its authors was Pasquale Festa Campanile, who, a decade later, takes charge of adapting the musical for the big screen. The popular Roman theatrical character of Rugantino, “the tough guy of Trastevere, quick with the tongue and with the knife”, found resounding international success at the beginning of the 1960s with Garinei and Giovannini’s musical comedy which, amongst other things, was sold out for the entirety of its three-week run on Broadway. Having recently been uprooted to Milan, Rocco and his four brothers each look for a new way in life when a prostitute comes between Rocco and his brother Simone. With Alain Delon, Renato Salvatori, Annie Girardot, Katina Paxinou. Rugantino, the traditional Roman theatrical character, quick with the tongue and with the knife, becomes universalĪdriano Celentano goes wild, singing, dancing and chatting with extraordinary spontaneity Rocco and His Brothers: Directed by Luchino Visconti.
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